Men is a bloody, perplexing entry into the genre of apocalyptic horror It's also an elaborate, surreal exploration of misogyny throughout the previous two millennia by way of a microcosm of 1 woman's struggle within the aftermath of a tragedy that is scapegoated her as its cause Its finale transcends conventional narrative in favor of delivering an emotionally-rooted thematic catharsis that'll go away viewers with lots to chew on
 
 Writer-director Alex Garland 2014's Ex Machina and 2018's Annihilation is a grasp at mental style play, embedding heady ideas about power, want and technology within tales that lean towards science fiction and horror In his third movie, a psychological thriller about the evils of man, he elevates these logos to their nightmarish extremes
 
 Garland's star, Jessie Buckley, performs Harper, a girl on the run after the mysterious demise of her husband She rents a country house in England, and it's not lengthy before she runs into bother There's  https//wwwkseriesclub/  in the garden, an apple tree suffering from apples—a clear reference to Adam and Eve and the original sin of patriarchal misogyny—and a slew of creepy and inexplicable happenings
 
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 Soon, she's a hostage of the estate's proprietor, Geoffrey Rory Kinnear, who keeps her in a locked room while peppering her with dumb quips and invasive questions about her marital standing Men does not make it a secret that its primary subject is sexism, however it makes an even larger point by depicting these forces as malevolent creatures who need nothing greater than to harm ladies for their very own pleasure
 
 For many of the film, it is onerous to determine whether Garland is critiquing misogyny or merely displaying it in its gore-ish grotesqueness But the ultimate act, which seems to be a full-on gorefest, lastly reveals its true intentions It's a misguided attempt to make use of Harper's story as a method to point fingers at male power and violence, nevertheless it degenerates into a slew of low cost thrills and lively, infuriating contempt for women that's rooted in millennia of biblical teachings and patriarchal custom
 
 There are moments in Men that will trigger the breath to quicken and the center to pound, but they're far too few and scattered all through a muddled and unsatisfying movie Garland is simply too proficient as a filmmaker to do one thing so rote, and his film finally fizzles out beneath its personal weight Adding up all of the missteps, Men is perhaps Garland's most flawed work to date